Art Basel took place in Miami this past week, and I had an exhibit at the Bridge Art Fair [Click here to see the works that were on exhibit]. I created a lot of new works for this show, so I haven't written any posts, or produced a show for a while. Now the dust is settling a bit, and I plan to do another show this week.
This year, everything was pretty much kicked up another notch. The works at Basel were, with some notable exceptions, focused on established artists, with price tags to match. This drove a lot of collectors to satellite shows, as well, where a wide range of works could be found.
Still, the main show is always fascinating, and I never fail to find wonderful works that I really enjoy. Gary and I both were quite surprised by a work in Gavin Brown`s exhibit, of a cigarette pack dangling from a string connected to a rotating robotic arm high overhead. The arm was articulated so that the pack seemed to travel randomly around an otherwise totally empty exhibit space. The rent for a space as large as that was probably around $75,000, so regardless of what you felt about the piece itself, you still had to sort of stop and think about it a bit--they thoughtfully provided benches for that purpose.
I visited several other fairs, in addition to the Bridge fair. There was plenty of interesting new art, but the press of the crowd was something to behold. That crush was evident, too, at the numerous parties taking place all week. We attended some great parties, in particular those hosted by UBS, Swarovski, and Vogue, as well as a private exhibit by Sotheby's, which included my work entitled "Friends".
The feeling at Art Basel has evolved somewhat. Before it was mostly about art. This year, it was also very much about the art "scene". Lots of people have became involved who perhaps hadn't focused on art before. I think this is basically a good thing, because it's likely to result in more people enjoying and appreciating art for the rest of their lives.
Dec 11, 2006
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